
Client work pays the bills. Studio work, with no client, is where clarity lives.


We as creatives have a unique relationship with our work.
Sure, it's what pays the bills… but it's so much more than that. Our creative work is what fulfills our souls.
This has been a recent topic of discussion within the Maker Division community. The difference between client work and studio work.
There's client work: the work we do for others. It's what pays the bills when we first get started with our creative careers. The main advantage is it's one of the easiest forms of work to get started with. The main downside is you are limited on your creative freedom depending on the client. Clients are typically risk averse, and true creativity depends on some risk. More often than not
Then there's studio work: the work we do for ourselves. This is the work that has no client, the work we do entirely for self fulfillment.
You see, we're special. You don't see an accountant doing work on the side to scratch a creative itch, now do you? But we creatives do the work not because we have to, but because we want to. As I mentioned earlier, creative work fulfill our souls. We are hard wired to create.
Awhile back I heard a phrase that really resonated with me. While it was being used for content development, I think it applies just as much to creating studio work. By doing work for ourselves we find "clarity through articulation". We find the the work we want to do in our creative career by doing work for ourselves.
Here are some ideas/tips to help you kick start your studio work:
These are just a handful of ways you can get started with studio work. I hope to see you sharing your work in the Maker Division community!
Until then, keep on making.
Cheers,
Zach Ebert
Zach of a Trades, Master of None
Community Manager | Maker Division


Now Playing
I have a playlist that I've been adding to since college. It's kinda become a time machine, the songs reminding me of the period of time when I added them to the playlist. This is sophomore year of college, hiking Pinnacle Mountain on the weekends. Hope you enjoy my memories. Haha

Artist to follow
I'm a big fan of the world building Simon does in his work. If you haven't checked out the books, I highly recommend “Tales From the Loop” and “The Electric State”. His blend of narrative and artwork makes for an enjoyable experience.

On the Bookshelf
What would a expedition look like to an alien world? Wayne Barlow explores this concept in his book Expedition. Combining a collection of paintings, drawings and storytelling into a very convincing mission to an alien planet to observe the flora and fauna. I read my original copy so much the book fell apart.
Dispatch is our weekly letter on creative work, building studios, and figuring out the business side of making things. Each issue is a short essay drawn from real experience running creative companies and helping thousands of creatives do the same.
Below are a few recent issues from the archive.
Maker Division shares case studies, strategies, and student results for educational purposes only. These outcomes are not typical and do not guarantee your success. Maker Division’s team includes experienced business owners, creatives, and educators, and your results will vary based on your background, effort, experience, and application of the material. We do not track or publish average results due to the sensitive nature of creative business performance and the wide range of student goals. We cannot guarantee that you will make money, book clients, or grow your business using our strategies whether applied specifically or generally. We do not offer business, financial, legal, investment, tax, or other professional advice. All content is provided for informational purposes only. Any use of our content, ideas, or materials without express written permission is prohibited.